Jason de Caires Taylor
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The Lost Correspondent

The Lost Correspondent depicts a man sitting at a desk with a typewriter. The desk is covered with a collection of newspaper articles and cuttings that date back to the 1970s. Many of these have political significance, a number detail Grenada’s alignment with Cuba in the period immediately prior to the revolution. The work informs the rapid changes in communication between generations. Taking the form of a traditional correspondent, the lone figure becomes little more than a relic, a fossil in a lost world.

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  The Lost Correspondent
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